Mary Hopkin Part One

Mary Hopkin Part One

Mary Hopkin Part One

Like so many, I thought she only recorded “Those Were The Days”, and I have the 45 of that song. I wouldn’t of gotten that , if I wasn’t a Beatle fan, and that Sir James Paul McCartney had nothing todo with it. So as I reached for Mary Hopkin Part One, I search for albums of her and I found a lot.

Mary Hopkin (born 3 May 1950), credited on some recordings as Mary Visconti (from her marriage to Tony Visconti), is a Welsh folk singer best known for her 1968 UK number one single Those Were the Days. She was one of the first to sign to the Beatles Apple label.

Mary Hopkin

Mary Hopkin, Bestanddeelnr 923-3712.jpg

Hopkin at the
Eurovision Song Contest 1970

Background Information


3 May 1950 ( age 69).


Pontardawe, Wales.






Vocals, guitar.

Years Active

1968 present.


Mary Hopkin Music.

Associated Acts

Paul McCartney.
Tony Visconti.
David Bowie.
Ralph McTell.
Benny Gallagher.



Early Singing Career

Hopkin was born into a Welsh-speaking family in Pontardawe, Wales; her father worked as a housing officer. She took weekly singing lessons as a child and began her musical career as a folk singer with a local group called the Selby Set and Mary. She released an EP of Welsh-language songs for a local record label called Cambrian, based in her hometown, before signing to Apple Records, owned by the Beatles, one of the first artists to do so. The model Twiggy saw her winning the British ITV television talent show Opportunity Knocks and recommended her to Paul McCartney.
Her debut single, Those Were the Days, produced by McCartney, was released in the UK on 30 August 1968. Despite competition from well-established star Sandie Shaw, whose single was also released that year, Hopkin‘s version became a number hit on the UK Singles Chart. It reached number 2 on the US Billboard Hot 100where for three weeks it was held out of the top spot by the Beatles Hey Jude, and spent two weeks at number 1 on Canada‘s RPM singles chart. It sold over 1,500,000 copies in the United States alone, and was awarded a gold disc by the RIAA. Global sales topped 8,000,000.
On 2 October 1968, Hopkin appeared at St Paul‘s Cathedral in London for the Pop Experience, where she sang Morning of My Life, Turn Turn Turn and Plaisir d’amour. In December that year, the NME music magazine reported that Hopkin was considering a lead acting role in Stanley Baker‘s forthcoming film, The Rape of the Fair Country. That particular project did not materialize but Hopkin did sing the title songs to two of Baker‘s films, Where‘s Jack? and Kidnapped.

On 21 February 1969, Hopkin‘s debut album, Postcard, again produced by McCartneywas released. It included covers of three songs from Donovan, who also played on the album, and one song each from George Martin and Harry Nilsson. It reached number 3 on the UK Albums Chart, although it proved to be her solitary success in that chart. In the United States, Postcard reached number 28 on the Billboard albums chart.
The next single was Goodbye, written by McCartney (credited to LennonMcCartney), and released on 26 March 1969. It reached number 2 on the UK Singles Chart, where it was kept from the top by the Beatles Get Backnumber 13 on the Billboard Hot 100, and number 15 on the RPM chart in Canada. Hopkin said she interpreted Goodbye as McCartney pledging to stopmicromanaging her career, since she was uncomfortable with his positioning of her as a pop chanteuse. She also expressed dissatisfaction with her manager at this time, Terry Doran.
Hopkin‘s third single, Temma Harbour, was a re-arrangement of a Philamore Lincoln song. Her first single not to be produced by McCartney, it was released on 16 January 1970 and peaked at number 6 in the UK and number 42 inCanada. In the US, Temma Harbour reached number 39 on the Billboard Hot 100 and number 4 on the magazine‘s Easy Listening chart. Along with Donovan and Billy Preston, Hopkin was one of the chorus singers on the Radha Krishna Temple‘s 1970 hit single Govinda, produced by George Harrison for Apple Records.


In March 1970, Hopkin represented the United Kingdom in the 1970 Eurovision Song Contest, achieving second place with Knock, Knock Who‘s There? Although she gave a confident performance and sang in a crystal-clear voice, and despite being the pre-contest favorite, Hopkin lost to All Kinds of Everything, performed by Irish singer Dana. Produced by Mickie Most, Knock, Knock Who‘s There? was released as a single on 23 March 1970 and peaked at number 2 in the UK. It was a worldwide hit, selling over a million copies.

Hopkin‘s final big hit was Think About Your Children, released in October 1970which reached number 19 in the UK. Hopkin has expressed dissatisfaction with the material produced by Most, who had taken over as her producer with Temma Harbour. After appearing in Eurovision, Hopkin wanted to return to her folk-musicroots.

After Eurovision

At McCartney‘s insistence, Hopkin had recorded a cover of Que Sera, Sera in August 1969. Hopkin had no wish to record the song and refused to have the single released in Britain. Initially issued in France in September 1969, it was released in North America in June 1970. The single peaked at number 77 on the Billboard Hot 100 and number 47 in Canada, and was also a hit in Japan, Australia, New Zealand, and Zimbabwe.

The last single to hit the British charts was Let My Name Be Sorrow, which reached number 46 in July 1971. It was produced by Tony Visconti, whom Hopkin had met earlier for a Welsh recording of Sparrow. Let My Name Be Sorrow was a hit in Poland in January 1972.

Hopkin‘s second album, Earth Song, Ocean Song, was released by Apple on 1 October 1971. The album was produced by Visconti and included cover versions of songs written by Cat Stevens, Gallagher and Lyle and Ralph McTell, as well as the two title tracks by Liz Thorsen. Hopkin felt it was the album she had always wanted to make, so, coinciding with her marriage to Visconti and with little left to proveshe left the music scene. The album‘s single, Water, Paper and Clay, missed the Billboard Hot 100. It was Hopkin‘s last single for Apple Records, which she left in March 1972.

After Hopkin‘s departure from Apple, a compilation album titled Those Were theDays was released in the latter part of 1972. The album featured all of Hopkin‘shits but it failed to chart. Knock Knock, Who‘s There? was released as a single in the United States and Canada, both countries excluded from the first release of that record in 1970. The single reached number 92 on the Billboard Hot 100 and number 11 on the Easy Listening chart in December 1972, giving Hopkin her last US hit.

Television Series

Following her appearance in the Eurovision contest, Hopkin had her own peak time TV series, Mary Hopkin in the Land of , on BBC1. Created by Eric Merriman, each episode featured Hopkin looking at a different aspect of storytelling through music and dance. The six 30-minute programmes were broadcast in 1970 and were repeated in 1971.

After The Hit Singles

After marrying Visconti in 1971, Hopkin withdrew from the pop-music scene to have a family. Although reportedly unhappy with show business, she did not stop recording. She travelled to Australia with Visconti in January 1972 and performed at a large outdoor rock festival in South Australia, in addition to giving concerts in several major cities. In March, Hopkin announced her departure from Apple Records; her manager, Jo Lustig, said they were considering offers from three major record companies. In June, the single Summertime Summertime/ Sweet and Low was released on Bell Records under the name of Hobby Horse. The A-side was a cover of a 1958 song by the Jamies. With Visconti‘s assistance, she released the 1972 Christmas single Mary Had a Baby/ Cherry Tree Carol on Regal Zonophone Records.

Hopkin starred in her own, one-off TV special for BBC1 on 29 July 1972. Titled Sing Hi, Sing Lo, it was billed simply as light entertainment starring Mary Hopkin.
Although no other singles or albums came out in her name until 1976, she sang on numerous recordings that her husband produced, such as those featuring Tom PaxtonRalph McTell, David Bowie (Low), Bert Jansch, The Radiators from Space, Thin Lizzy, Carmen, Sarstedt Brothers, Osibisa, Sparks, Hazel O’Connor, and Elaine Paige. On all of these recordings (and also on her husband‘s own Inventory albumshe is credited as Mary Visconti. During this time, she also appeared on various TV shows such as Cilla Black‘s, and various radio programs.

Return To Recording

In 1976, she returned to recording under her birth name and released the singleIf You Love Me (Really Love Me) (originally recorded by Édith Piaf as Hymne àl’amour), which reached Number 32 in the UK chart. The B-side, Tell Me Now,was an original composition by Hopkin. Her next single was Wrap Me in Your Arms,with the B-side again written by Hopkin ( Just A Dreamer). These singles came out on Visconti‘s Good Earth Records label. Several songs recorded for an album at the time have now been released under Hopkin‘s own label, Mary Hopkin Music.
Two members of Steeleye Span (Bob Johnson and Pete Knight) chose Hopkin to play Princess Lirazel on their concept album The King of Elfland‘s Daughter. She also appeared at the Cambridge Folk Festival with Bert Jansch. In 1976 her second child was born. Before the 1970s ended, Decca released a compilation album of Hopkin‘s Cambrian recordings, The Welsh World of Mary Hopkin.


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